ART & ORGANISM
EVOLUTION of COGNITIVE FUNCTIONS:
What does a work of art say about the cognitive functions of the artist? His or her emotions, motives, obsessions, even indifference, if (as some artists say) their work is merely an artifact of their living.
(For example, in, “The Oldest Human Drawing”(73K YBP)–point is: Henshilwood says we don’t know if the original cross-hatch drawing was for decoration or had some symbolic meaning. ‘If you have a little ochre pencil, perhaps for the first time you are able to store information outside your brain’ he says.” (NS 15 September 2018 p 7)
In a recent issue of SCIENCE (22 Feb 2018), “U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art.” The article by D.L. Hoffmann and 13 others (2018) is big news for paleoanthropologists and anyone else who is interested in human evolution.
Reporting and Podcast from AAAS meeting: Sarah Crespi interviews Science News Editor Tim Appenzeller about Neandertal art. The unexpected age of some European cave paintings is causing experts to rethink the mental capabilities of our extinct cousins. http://www.sciencemag.org/podcast/neandertals-made-art-live-news-aaas-annual-meeting-and-emotional-experience-being-scientist?utm_campaign=news_daily_2018-02-22&et_rid=33798487&et_cid=1867443 (“Neandertal Art” begins at 10:30 min into podcast)
Neanderthals, the World’s First Misunderstood Artists
It’s long been an insult to be called a Neanderthal. But the more these elusive, vanished people have been studied, the more respect they’ve gained among scientists.
On Thursday, a team of researchers offered compelling evidence that Neanderthals bore one of the chief hallmarks of mental sophistication: they could paint cave art. That talent suggests that Neanderthals could think in symbols and may have achieved other milestones not preserved in the fossil record.
“When you have symbols, then you have language,” said João Zilhão, an archaeologist at the University of Barcelona and co-author of the new study.
When Neanderthal fossils first came to light in the mid-1800s, researchers were struck by the low, thick brow ridge on their skulls. Later discoveries showed Neanderthals to have brains as big as our own, but bodies that were shorter and stockier.
By the early 1900s, scientists were describing Neanderthals as gorilla-like beasts, an extinct branch of humanity that could not compete with slender, brilliant humans.
Yet evidence from both fossils and DNA indicates that Neanderthals and living humans descend from a common ancestor who lived about 600,000 years ago. Our own branch probably lived mostly in Africa.
Sebastien Plailly & Elisabeth Daynes/Science Source
For a few hundred thousand years after the split, the ancestors of living humans left behind such basic tools as stone axes for butchering carcasses and spear blades for hunting.
But about 70,000 years ago, humans in Africa began showing signs of more abstract thinking. They colored and pierced seashells, for example, possibly to wear as jewelry.
Modern humans began expanding from Africa, arriving in Europe roughly 45,000 years ago. By then, they had become capable of even more impressive symbolic creations, including ivory carvings and extravagant paintings on cave walls.
Neanderthals disappeared abruptly afterward, about 40,000 years ago, leaving behind a fossil record of their own from Spain to Siberia.
Stockier than their African cousins, they appear to have evolved physical adaptations to harsh climates. They made stone tools of their own, which they used to hunt for game, including rhinos and other big mammals.
At first, researchers found no clear evidence of symbolic thought in Neanderthals. But in recent years, that picture has begun to change.
Neanderthals could use feathers and bird claws as ornaments, archaeologists found. But some scientists were skeptical about what these findings meant.
Neanderthals might have lived near modern humans, after all, and spotted them making things. Neanderthals were smart enough to copy the ornaments, the thinking went — but not enough to invent them.
This debate was fueled in part by technological uncertainty: It can be very difficult to pin down a firm date for human fossils and artifacts.
To determine the age of cave paintings, for example, researchers have traditionally relied on radiocarbon dating. But that method only works if the paint contains carbon-bearing ingredients, such as charcoal. Red ocher, by contrast, can’t be dated this way.
Making matters worse, radiocarbon dating becomes increasingly unreliable beyond about 40,000 years.
Dr. Zilhão joined with archaeologists Alistair G.W. Pike of the University of Southampton and Dirk L. Hoffmann, now at the Max Planck Institute for Evolutionary Anthropology in Germany, to see if the prehistory of European art could be brought into sharper focus.
Instead of studying radiocarbon, they would use a different clock to tell time.
As water seeps into caves, it may deposit milky crusts of minerals on the walls known as flowstones. Flowstones contain tiny amounts of uranium, which slowly breaks down into thorium. The older a flowstone gets, the more thorium builds up inside it.
A flowstone covering a piece of cave art might give Dr. Zilhão and his colleagues a minimum age for its creation. The problem was that scientists usually needed big chunks to find enough uranium and thorium to measure. The flowstones on cave art were typically very small.
But Dr. Hoffman had been working on ways to drastically increase the sensitivity of the technology so that he could work with much smaller samples.
The researchers returned to caves in Spain where ancient paintings had been discovered over the past century. The artists had drawn abstract images on the cave walls, including long lines, patterns of dots, and the outline of a human hand.
The team found flowstones covering parts of the artworks and scraped away samples for dating. In three caves, it turned out, some of the art was over 64,000 years old — about 20,000 years earlier than the first evidence of modern humans in Europe.
“They must have been made by Neanderthals,” said Dr. Pike.
Wil Roebroeks, an archaeologist at Leiden University who was not involved in the new study, said the evidence was conclusive. “This constitutes a major breakthrough in the field of human evolution studies,” he said. “Neanderthal authorship of some cave art is a fact.”
Dating flowstones is a big advance on previous techniques for determining the age of cave art, but the technology has one major limitation: it can only assign a minimum age to cave paintings. Flowstones may have begun forming the day after a painting was finished — or 10,000 years afterward.
But a second study, which Dr. Zilhão and his colleagues published Thursday in the journal Science Advances, hints that Neanderthals might well have been painting long before 64,000 years ago.
The scientists traveled to a cave on the coast of Spain where Dr. Zilhão had earlier discovered shells that had been drilled with holes and painted with ocher.
In 2010, he and his colleagues had used radiocarbon dating to estimate the age of other shells in the same layer of rock at 45,000 to 50,000 years old.
That result did not tell the team who made the ornaments. Neanderthals might be responsible, but it was also possible that the earliest modern humans in Europe made them.
And the uncertainties of radiocarbon dating also had left open the possibility that the shells were, in fact, far older.
Dr. Zilhão returned to the cave in order to try uranium dating. He and his colleagues discovered a layer of flowstone sitting atop the rock where they had found the shell jewelry. That flowstone turned out to be about 115,000 years old.
C.D Standish, A.W.G. Pike and D.L. Hoffmann
The colored, pierced shells themselves are probably not much older than that. Up until about 118,000 years ago, the cave was flooded, thanks to higher sea levels.
That finding provides strong evidence that the shells were made by Neanderthals. They were definitely living in Spain 115,000 years ago, while modern humans would not arrive in Europe for another 70,000 years.
The two new studies don’t just indicate that Neanderthals could make cave art and jewelry. They also establish that Neanderthals were making these things long before modern humans — a blow to the idea that they simply copied their cousins.
The earliest known cave paintings made by modern humans are only about 40,000 years old, while Neanderthal cave art is at least 24,000 years older. The oldest known shell jewelry made by modern humans is about 70,000 years old, but Neanderthals were making it 45,000 years before then.
“These results imply that Neanderthals were not apart from these developments,” said Dr. Zilhão. “For all practical purposes, they were modern humans, too.”
The new studies raise another intriguing possibility, said Clive Finlayson, director of the Gibraltar Museum: that the capacity for symbolic thought was already present 600,000 years ago in the ancestors of both Neanderthals and modern humans.
He agreed with Dr. Zilhão that the new study supports the idea that Neanderthals used language. In addition to the evidence of symbolic thought, researchers have also found that the inner ears of Neanderthals were tuned to the frequencies of speech, much like our own.
“We don’t know how they spoke or what they said,” said Dr. Finlayson. “But they had the ability of speech.”
The cave paintings that Dr. Pike and his colleagues have dated are generally abstract. There’s no evidence so far that Neanderthals painted images of lions and other animals, as modern humans did thousands of years later.
But Dr. Pike doesn’t think a lack of animal imagery marks a mental deficiency in Neanderthals. It could simply reflect a cultural preference.
“It could just be that they had a different belief system and didn’t think animals were important to depict in deep caves,” he said. “If you have to prepare your pigment and get to a place in the pitch dark to paint a red line, that’s as meaningful as someone painting a bison.”
In the past, many researchers have claimed that mental differences between modern humans and Neanderthals were the reason we are alive today and Neanderthal populations have vanished. Our own ancestors, it’s been argued, were able to come up with creative solutions for survival.
The accumulating evidence puts Neanderthals on a more equal footing. They evolved physical differences after the split from modern humans, possibly as they adapted to the harsh northern climates where they settled.
But their culture developed in parallel with that of modern humans in Africa. And their disappearance is not evidence of inferiority, only of the inexorable mechanics of evolution.
National Geographic also speaks to paleolithic art and includes a brief but useful video—click here
 “U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art.” The article by D.L. Hoffmann and 13 others (2018)
D. L. Hoffmann,, C. D. Standish,, M. García-Diez, P. B. Pettitt, J. A. Milton, J. Zilhão,,, J. J. Alcolea-González, P. Cantalejo-Duarte, H. Collado, R. de Balbín, M. Lorblanchet, J. Ramos-Muñoz, G.-Ch. Weniger,, A. W. G. Pike, See all authors and affiliations. Science 23 Feb 2018: Vol. 359, Issue 6378, pp. 912-915 DOI: 10.1126/science.aap7778 Article Figures & Data Info & Metrics eLetters PDF
Neandertal cave art
It has been suggested that Neandertals, as well as modern humans, may have painted caves. Hoffmann used uranium-thorium dating of carbonate crusts to show that cave paintings from three different sites in Spain must be older than 64,000 years. These paintings are the oldest dated cave paintings in the world. Importantly, they predate the arrival of modern humans in Europe by at least 20,000 years, which suggests that they must be of Neandertal origin. The cave art comprises mainly red and black paintings and includes representations of various animals, linear signs, geometric shapes, hand stencils, and handprints. Thus, Neandertals possessed a much richer symbolic behavior than previously assumed.
, this issue p. 912
Abstract. The extent and nature of symbolic behavior among Neandertals are obscure. Although evidence for Neandertal body ornamentation has been proposed, all cave painting has been attributed to modern humans. Here we present dating results for three sites in Spain that show that cave art emerged in Iberia substantially earlier than previously thought. Uranium-thorium (U-Th) dates on carbonate crusts overlying paintings provide minimum ages for a red linear motif in La Pasiega (Cantabria), a hand stencil in Maltravieso (Extremadura), and red-painted speleothems in Ardales (Andalucía). Collectively, these results show that cave art in Iberia is older than 64.8 thousand years (ka). This cave art is the earliest dated so far and predates, by at least 20 ka, the arrival of modern humans in Europe, which implies Neandertal authorship.